In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers.
John Lennon would own at least four models, George Harrison's double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished "You Can't Do That", "Eight Days a Week", "A Hard Day's Night", "Ticket To Ride" to name just a few.
Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds' early style. The Who's Peter Townshend, Creedence Clearwater Revival's John Fogerty, Steppenwolf's John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today's top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.'s Peter Buck and Against Me!'s Laura Jane Grace, and many others.

RealRick - sample-based virtual instrument with an innovative approach to guitar sound modeling and guitar techniques emulating on a standard MIDI keyboard.

RealRick provides incredible playability based on the unique performance modes and easy-to-use keyboard layout as well as the advanced key/pedal/velocity switch system allowing a keyboardist to perform guitar parts with a whole new level of realistic expression. RealRick covers practically all sounds, articulations, and techniques a professional guitarist can produce on his Rickenbacker®, including mute, bridge mute, harmonics, pinch harmonics, unison bend, strumming, picking, chord chopping, scrapes, and much more…

24-bit 96 kHz high quality dry samples recorded directly from pick-ups let you easily create any desired guitar sound using your favorite amplifier simulator.

RealRick includes 8 guitar patches:
6-string - Mono
12-string A - Mono, 3rd string pair tuned in OCTAVE
12-string B - Mono, 3rd string pair tuned in UNISON
6-string (Stereo/Double-track):
- full Stereo (emulates 'Rick-O-Sound' stereo output) when used in RealRick single output version
- double tracked patch when used in RealRick two output versions
12-string A and B (Stereo/Mono):
- main (sustain) sound is Stereo (6/6 strings split), additional sounds/noises are Mono
12-string A and B (Stereo/Double-track):
- full Stereo (emulates 'Rick-O-Sound' stereo output) when used in RealRick single output version
- double tracked patch when used in RealRick two output versions

Home Page - https://www.musiclab.com/products/realrick/info.html